
Dialogues of the Carmélites 1999
Even a convent offers no safe haven…
…for the faithful. Overcoming her deepest fears, a young nun joins her sisters in martyrdom at the guillotine. Poignant drama of faith set amid the French Revolution.
Synopsis
Act I
In his library, the Marquis de la Force talks worriedly with his son, the Chevalier, about Blanche, his impressionable daughter who is unable to overcome her fear of life. She suddenly appears, frightened by hostile crowds that surrounded her carriage on her way home. After retiring, Blanche returns, having been terrified by a servant’s shadow, and announces her wish to become a nun.
Several weeks later, at the Carmelite convent at Compiègne, Blanche comes for an interview with the prioress, Madame de Croissy, a woman debilitated by a fatal illness. Gently but firmly the prioress makes it clear lo Blanche that the convent is a house of prayer, not a refuge in which heroism is facilitated: it will test her weaknesses, not her strengths.
While doing their chores in the convent workroom, Blanche and Constance, a lively novice, discuss death. Constance believes she will die young and that Blanche will die with her. Blanche angrily accuses Constance of evil thoughts.
The prioress lies on her deathbed in the infirmary. Her struggle to appear calm slowly fails as the anxiety of her condition overtakes her: years of meditating on death have not made the actuality less frightening. Mother Marie accepts charge of Blanche from the prioress, who advises firmness, judgment and character – qualities she says Blanche lacks. When Blanche comes, the prioress tells the girl of her special concern for her as the newest member of their order. Saying farewell, she offers her own death to avert the dangers facing Blanche. A physician comes and goes. The prioress grows delirious, relating a fitful vision of their convent desecrated. In a last attempt to confess her fear of death, she falls back lifeless. Blanche kneels, sobbing.
In the chapel, where the prioress lies in state, Blanche and Constance intone a Requiem. When Constance leaves, Blanche attempts a prayer but flees in fear. She is stopped by Mother Marie, who gently rebukes but reassures her.
Constance explains to Blanche that the prioress died another person’s death, that her death was too ugly and hard for her. Someone else, she says, will be surprised to find death so easy.
Artists

Patricia Racette
Soprano
Blanche de la Force

Christine Goerke
Soprano
Madame Lidoine

Richard Stilwell
Baritone
Marquis de la Force

Gordon Gietz
Tenor
Chevalier (July 31 - August 17)

Andrew Clarke
Tenor
Chevalier (August 25)

Lynette Tapia
Soprano
Sister Constance

Sheila Nadler
Contralto
Madame de Croissy

Judith Christin
Mezzo-soprano
Mother Marie

Kathleen Clawson
Mezzo-soprano
Mother Jeanne

Ryland Davies
Tenor
Chaplain of the Convent

Alok Kumar
Baritone
Thierry

Darren Chase
Baritone
M. Javelinot

Kristin Ryerson
Mezzo-soprano
Sister Mathilde

Scott Wyatt
Tenor
First Commissioner

Neil Michaels
Baritone
Second Commissioner

Bryan G. Davis
Bass
An Officer

Hyung Yun
Baritone
The Jailer

Stéphane Denève
Conductor

Francesca Zambello
Director

Alison Chitty
Scenic & Costume Designer

Jennifer Tipton
Lighting Designer

Robert Moody
Chorusmaster