Così fan tutte 1957
Will they or won’t they?
Two cocky young men test the fidelity of their fiancées, with unexpected results, in Mozart’s profoundly human comedy.
Synopsis
Act I
Seated in a cafe, Ferrando and Guglielmo defend their ladies, the sisters Fiordiligi and Dorabella against an attack on women by the cynical Don Alfonso. Don Alfonso promises to prove the inconstancy of women, including the sisters, if the two young men will put themselves unreservedly in his hands for twenty-four hours. They promise to do so, and amuse themselves by planning how to spend the money they are sure to win.
The scene changes and the sisters are discovered in sentimental raptures over the miniature portraits of their lovers. Their day-dreaming is interrupted by Don Alfonso, who has sad news: Ferrando and Guglielmo have been called to war and must leave immediately. The young men enter, say their sad farewells, and march off to a military air. The girls pray for their safety.
Disconsolate, the ladies are served chocolate by their maid, Despina. When Dorabella gives vent to her unhappiness, Despina advises another line: lovers’ absences are time for sport, not sadness. Disgusted, the sisters go out and Don Alfonso enters to enlist the support of the clever Despina. The two young men appear in disguise and Despina and Alfonso plan to have them win the affections of the ladies in the guise of strangers. The sisters are indignant at finding two strange men in their house, but Don Alfonso enters and pretends to recognize the imposters as old friends. He urges the sisters to be kind to the visitors. Fiordiligi makes it quite clear that their protestations of love are fruitless, but the men persist until the ladies flee the room. Guglielmo and Ferrando are sure they have won their bet, but Don Alfonso reminds them of their promise to give him twenty-four hours to prove his point.
The ladies are walking in the garden when suddenly the masqueraders rush in with bottles of poison which Alfonso is unable to prevent their drinking. As the men sink into a coma, the doctor is hastily summoned. The doctor (Despina in disguise) employs the latest medical devices and restores the youths to health. Ferrando and Guglielmo, thus restored, imagine that they are already in the Elysian Fields and demand a kiss from the Goddesses. This is denied them as the act ends.
Act II
Despina is discovered in the process of pointing out to her mistresses that it is silly not to enjoy themselves while they can. The ladies finally weaken, and deciding to have some innocent fun, each selects one of the strangers as her partner. Under Alfonso’s and Despina’s prompting they meet the men in the garden, and after some embarrassed conversation, Fiordiligi leads Ferrando off to explore the garden. Guglielmo manages to exchange lockets with Dorabella, but Fiordiligi spurns Ferrando’s advances.
When the two young men meet to compare notes, Guglielmo is smug, but Ferrando is indignant and vows revenge. He resolves to try Fiordiligi’s defenses once more and interrupts her as she is about to put on a soldier’s uniform to join her lover at the front. Ferrando effusively implores her to run a sword through his heart. Her resistance suddenly melts and she falls into the disguised Ferrando’s arms. Immediate weddings for both couples are indicated, and as the girls go to prepare their bridal dresses, the men comment on womankind: Così fan tutte – so are they all.
The the wedding contract is prepared and signed in the presence of the notary (again a disguised Despina) and all is ready for the newlyweds to leave, when a burst of martial music is heard. Alfonso announces that Ferrando and Guglielmo have returned. The Albanians are rushed out and the young men appear. They discover the marriage contracts, and accuse their ladies of inconstancy. But all is forgiven when the two men reveal that it was they who were behind the disguises, and the two couples vow eternal fidelity.
Artists
Shirlee Emmons
Soprano
Fiordiligi
Shirlee Emmons
Hometown: Stevens Point, WI
SFO Debut:
Fiordiligi, Così fan tutte, 1957
Past Seasons:
Ariadne/ Prima Donna, Ariadne auf Naxos, 1957
Mary McMurray
Soprano
Dorabella
Mary McMurray
Hometown: Iowa
SFO Debut:
Dorabella, Così fan tutte, 1957
Past Seasons:
Augusta, The Ballad of Baby Doe, 1961 (June 30)
Cinderella, Cinderella, 1958
Mistress Quickly, Falstaff, 1958
Dorabella, Così fan tutte, 1958
Rosina, The Barber of Seville, 1957
Mother Goose, The Rake’s Progress, 1957
Joan Moynagh
Soprano
Despina
Joan Moynagh
Hometown: Worcester, MA
SFO Debut:
Despina, Così fan tutte, 1957
Past Seasons:
Donna Elvira, Don Giovanni, 1966
Madame Lidoine, Dialogues of the Carmélites, 1966
Nyad, Ariadne auf Naxos, 1957
Serpina, La serva padrona, 1957
Loren Driscoll
Tenor
Ferrando
Loren Driscoll
Hometown: Midwest, WY
SFO Debut:
Ferrando, Così fan tutte, 1957
Past Seasons:
Tom Rakewell, The Rake’s Progress, 1970
Fisherman, Le Rossignol, 1970 (July 17 – 29)
Dionysus, The Bassarids, 1968
Armand des Grieux, Boulevard Solitude, 1967
Tom Rakewell, The Rake’s Progress, 1962
Eumolpus, Perséphone, 1962
Shepherd, Oedipus Rex, 1962
Eumolpus, Perséphone, 1961
The Handsome Mr. Hermann, News of the Day, 1961
Tom Rakewell, The Rake’s Progress, 1960
Don Ramiro, Cinderella, 1960
Edgar Linton, Wuthering Heights, 1958
Rodolfo, La bohème, 1958
Ferrando, Così fan tutte, 1958
Flamand, Capriccio, 1958
Brighella, Ariadne auf Naxos, 1957
Count Almaviva, The Barber of Seville, 1957
Tom Rakewell, The Rake’s Progress, 1957
Peter Binder
Baritone
Guglielmo
Peter Binder
Hometown: Philadelphia, PA
SFO Debut:
Prince Yamadori, Madame Butterfly, 1957
Past Seasons:
Dandini, Cinderella, 1960
Germont, La traviata, 1960 (July 20 – 30)
Giuseppe Palmiere, The Gondoliers, 1960
Figaro, The Barber of Seville, 1959 (July 22 – 24)
Prince Yamadori, Madame Butterfly, 1959
Rochford, Anna Bolena, 1959
Eisenstein, Die Fledermaus, 1959
Dandini, Cinderella, 1958
Ford, Falstaff, 1958
Guglielmo, Così fan tutte, 1958
Harlequin, Ariadne auf Naxos, 1957
Joash, The Tower, 1957
Figaro, The Barber of Seville, 1957
Guglielmo, Così fan tutte, 1957
Spelios Constantine
Bass
Don Alfonso
Spelios Constantine
Hometown: New York, NY
SFO Debut:
Bonze, Madame Butterfly, 1957
Past Seasons:
Don Alfonso, Così fan tutte, 1957
Basilio, The Barber of Seville, 1957
Nabarias, The Tower, 1957
Vernon Hammond
Conductor
Vernon Hammond
Hometown: Radnor, PA
SFO Debut:
Così fan tutte, 1957
Past Seasons:
Ariadne auf Naxos, 1957
Robert Ackart
Director
Robert Ackart
Hometown: Wilmington, DE
SFO Debut:
Così fan tutte, 1957
Past Seasons:
The Barber of Seville, 1959
Anna Bolena, 1959
Capriccio, 1958
Così fan tutte, 1958
Ariadne auf Naxos, 1957 (also Major-Domo)
La Serva Padrona, 1957
Patton Campbell
Costume Designer
Production Designer
Patton Campbell
Hometown: Omaha, NE
SFO Debut:
Madame Butterfly, 1957 (Scenic, Costume & Lighting Designer)
Past Seasons:
Tosca, 1969
Così fan tutte, 1969
Der Rosenkavalier, 1968
The Barber of Seville, 1967
The Rake’s Progress, 1966
The Barber of Seville, 1965
Così fan tutte, 1962 (Scenic & Costume Designer)
La bohème, 1961
The Rake’s Progress, 1960
Cinderella, 1960
Regina, 1959
The Barber of Seville, 1959
Abduction From the Seraglio, 1959 (Scenic, Costume & Lighting Designer)
Madame Butterfly, 1959 (Scenic, Costume & Lighting Designer)
Anna Bolena, 1959 (Scenic, Costume & Lighting Designer)
Die Fledermaus, 1959 (Scenic, Costume & Lighting Designer)
Capriccio, 1958 (Scenic, Costume & Lighting Designer)
Cinderella, 1958 (Scenic, Costume & Lighting Designer)
Wuthering Heights, 1958 (Scenic, Costume & Lighting Designer)
Falstaff, 1958 (Scenic, Costume & Lighting Designer)
Così fan tutte, 1958 (Scenic, Costume & Lighting Designer)
La bohème, 1958 (Scenic & Costume Designer)
Ariadne auf Naxos, 1957 (Scenic, Costume & Lighting Designer)
The Tower, 1957 (Scenic, Costume & Lighting Designer)
La serva padrona, 1957 (Scenic, Costume & Lighting Designer)
The Barber of Seville, 1957 (Scenic, Costume & Lighting Designer)
The Rake’s Progress, 1957 (Scenic, Costume & Lighting Designer)
Così fan tutte, 1957 (Scenic, Costume & Lighting Designer)
Così fan tutte 1957
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